Assaulting the Divine

During their lifespan, Finnish black metal band Calvarium have released two rehearsal demos and one full-length album before this. They started back in 2001 and while never publically (did they ever get publicity in the first place?) calling it quits, I think it is safe to presume they are over.

This trio operated in such bands as Alghazanth, Anal Blasphemy and Baptism at time when they united their dark power under the name of Calvarium. The band's gospel was anti-Christian through and through, praising Satan and his hordes. And that's alright with me, even though I never was pushed deep into religious pus. But I understand the hatred towards this forced, oppressive article in this cold land. Also this time around the band perform both English and Finnish lyrics. The themes include physical violence towards Christian people and arcane dark wisdom.

Surely, both Alghazanth and Baptism seep through into Calvarium, but it's never as deep as replicating. The atmosphere is what the title says: Attacking evil spells in form of music. Tremolo riffing and devilish melodiousness are backed by thunderous drums and bass guitar. This is far more pounding when compared to previos full-length album, and also neither as sharp nor buzzing, but reverb is still big. Somewhat slower opener and parts elsewhere really amplify transcendental feeling. Well, it's generally not slow, but for the drums are going slower than the guitar which is doing that tremolo riffing almost throughout the EP. But the atmosphere is strong, and is also believable. By the way, this is also devoid of synthesizers. The vocals vary from more shriek-y to raspy troll-grunting and whatnot, and there's some clean lines sermonised. The compositions are rather straight, but offer a turn here and there ;it definitely does not stagnate at any point.

20 minutes of Finnish blasphemy with stygian atmosphere is what Calvarium offered on their final release. So shall it be.

(Originally written for ArchaicMetallurgy.com)

Counter to the stereotype that black metal is best listened to in the wintry months, I find myself more enraptured through the deepest, hottest months of the summertime, for at least then in addition to the other qualities I find in the genre, it gives me an escape from the season I admittedly hate the fuck out of. July, in particular, is the worst offender of the lot, so in the midst of the Fahrenheit spikes which break down any semblance of civility and fortitude others might describe of me in lighter climes, I find myself once again rummaging through the blackened discs, files and other detritus that have accumulated in my office for something that can temporarily estivate me from the surrounding blaze. This time I've stumbled across an untouched EP from Finnish obscurity Calvarium.

Now, while this particular project might not be well known, releasing only one album and this shorter successor, its members also play in, or have previously played in a who's who of other, comparable acts like Baptism, Horna, Black Death Ritual, Anal Blasphemy, Behexen, or the arena-touring, kid friendly Black Priest of Satan. By the looks of Assaulting the Divine, one is in store for a battering of traditional, newsprint black metal with few twists or surprises, playing it safe within a genre that conventionally relied on being unsafe. And that is the EP in a nutshell, a scathing 20 minutes of tremolo-picked, mildly raw black metal with not a single idea that anyone would ever mistake for being unique. That's not to write off Calvarium entirely, since this is a competent and obscene occult style of black metal which never really grows old for me, even though a great many of its proponents seem incapable of writing the evil riffs, gnashing vocal lines and atmospheres that chill enough to crack the flesh off the bones. These Finns are versed well enough in how to provide such elements, but simply don't ever excel at them.

I'd liken Assaulting the Divine to mix of Bathory and Horna, the former in the storming swagger of the excellently titled opener "Wrathpainted Hammer Upon their Weakening", and the latter almost everywhere else, with sibilant streams of submerged melodies and tinny blast beats driving much of the action. The production on the guitars reminds me of earlier Marduk albums, perhaps Enthroned off their first couple albums. I actually prefer the opening tune to the others, with its hoarse, bloodied rasp that escalates into a broader growl later in the verses, and the fact that I want to ride into battle just like it's Blood Fire Death all over again. "Through the Scars of Selfmutilation", despite its really excellent opening sample (which I couldn't quite pin down to a source), just felt like pretty typical charging glorious material without any standout riffs or truly abrasive feeling. The other highlight might be the black thrashing surge of "The Dark Blessed Elite", but if I were being honest I'd keep the first and last tunes, cut the two in the middle and then maybe find a place to keep that sample. It's just not all that interesting and half of the content is more sinister and memorable than the other, so it's essentially a solid single with some filler tunes.

That said, if you love this genre to a fault, it's really all here and issued with a relentless tenacity that will manifest some admiration. Clearly with this and the previous Skull of Golgotha we caught a glimpse of a group with the chops and experience to make some unsettling waves, but the roster instead decided to do that elsewhere with a myriad of other projects to keep them busy, and some that have borne superior, rotten fruit to this one.

-autothrall
http://www.fromthedustreturned.com