Why the Grateful Dead based review title? Well, because in the case of this album, "strange" and "trip" are the only fitting descriptors. What we have here is a pairing of two of the most unique bands currently operating in the black metal world--- more or less. Urfaust kick off the proceedings with a side of strange murky sewer ambience and midpaced, droning Burzum-influenced stomp. All well and good, you say, but there are a shitload of bands currently out there mining such aesthetics. What makes Urfaust worth your time? Simple answer: vocals. The howling, demented clean singing is just as honest as Varg's maniacal shrieks, and much more real that his countless imitators. These vocals are outstanding enough to give this side a 100%, but some of the ambient sections do go on a bit long, enough to deserve a deduction of 10% for this side (5% overall)
Then, flip over the record (which is the format you should be listening to this on), for Finland's Circle of Ouroborus. A lot of people have been talking about the post-punk influence in this bands work, and in all fairness, it is there, but not in the quantities one would expect. What is there is more of a lo-fi stumbling forest folk. Blown and distorted to all hell on some tracks, and shining in acoustic simplicity on others. In fact, in some of the tracks I pick up more of a gothic country vibe than the city- weary feeling of most post-punk. I don't think that CoO will soon be writing balleds and anthems for a population of drugged-up hillbillies, but listen to these songs in comparison to a gothic country band, like say Those Poor Bastards, and there is a definite similarity in terms of the lo-fi , twangy presentation, and the dreary chanting vocals (like Urfaust the vocals in CoO are clean, not shrieked). Whether there is any actual intention or that's just what I am hearing, but damn does it sound good (in a shitty way). A full 100% to these boys then!